I work in mainly in metal.
My pieces are usually formed
from sheet, plate, rod, and
wire via repousse', weaving,
welding, cutting and bending,
although I occasionally do
some cast pieces. I have
produced major pieces for
corporate and public clients
ranging in size from building
façades down to table top
pieces.
In my art I like a wave, a grand gesture with undertows
flowing in unexpected directions. I like things that are
at a glance, clean, but upon inspection complex.
I like the woven surface because it offers a rich texture
which is quite alive and changes as one walks by or as
the angle of illumination changes. I hung my first
woven aluminum piece in a hallway where the evening
and the morning sun raked past it. In the morning it cast
one image as golden light stretched its shadows down
the hall yet, when I came home it was silver and quite
different. This interplay of similar interwoven elements
interested me. It seemed an allegory of life. A basic
fabric which changed with your viewpoint or the color
and angle of your illuminating light. "In a
similar fashion, I find all manner of segmented imagery,
a society of individual elements, lead, cajoled, into form.
Some leading out over a straight laced ground of their
company of companion elements, tracing form like a
whipping waveform on an oscilloscope or a patterned
flow like the backs of a bison herd or sand dunes
marching along.
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Gene Olson
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